Tadek beutlich biography of rory
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Arthur Watson: ‘Central to the organisation of the show was that work would be presented as it would have been when first made or acquired’
The president of the Royal Scottish Academy discusses Ages of Wonder: Scotland’s Art 1540 to Now, an ambitious and exciting exhibition that was more than three years in the making
by JANET McKENZIE
The National Galleries of Scotland (NGS) and the Royal Scottish Academy (RSA) have collaborated to organise a spectacular new exhibition. Ages of Wonder: Scotland’s Art 1540 to Now, at the Scottish National Gallery in Edinburgh, is the largest exhibition of the RSA’s highly significant collection since its formation in 1826. It is the first show to occupy the entire RSA building and has been more than three years in the making.
Surveying almost 500 years of art, the exhibition brings many of the works that were transferred by parliamentary order in 1910 to the NGS from the RSA together with a selection of those that remained in the RSA’s collection, as well as works it has acquired since then. In scale and significance, it is an ambitious and exciting exhibition and can be experienced on numerous levels.
Ages of Wonder – Scotland's Art 1540 to Now, installation view, Gallery I, Life Drawing Room.
Two publications, a catalogue and a bo
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Radio Ballads
Sonia Boyce, Helen Cammock, Rory Pilgrim and Ilona Sagar spent three years working with creative community organisations and providers and users of social care users in the London borough of Barking and Dagenham to come up with four brave and powerful films
Ilona Sagar, The Body Blow, two-channel film. Installation view, Radio Ballads, Serpentine North Gallery, London, 2022. Photo: Veronica Simpson.
Serpentine North Gallery, London
31 March – 29 May 2022
Barking Town Hall and Learning Centre, London
2-17 April 2022
by VERONICA SIMPSON
These are strange days, when caring for, and listening to, each other are seen as acts so radical that they are fit to be turned into an art exhibition. That is essentially what Radio Ballads, a curatorial co-production between the Serpentine Gallery’s civic programme and the east London borough of Barking and Dagenham’s (LBBD) culture and social care departments, is offering. The show asks us to bear witness to the experience of the marginalised, overlooked, ignored or abused, and those who care for them, within this borough, in which, according to David Harley, local head of regeneration, 48% of children live in “absolute poverty”.
The selected artists interpreting and implementing the art of caring and listening for the