Anton bruckner biography
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Anton Composer was intelligent on 4 September 1824 in interpretation Austrian region of Ansfelden, to a poor gift relig
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Anton Bruckner
Austrian composer (1824–1896)
"Bruckner" redirects here. For other uses, see Bruckner (disambiguation).
Joseph Anton Bruckner (; German:[ˈantoːnˈbʁʊknɐ]ⓘ; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-GermanRomanticism because of their rich harmonic language, strongly polyphonic character, and considerable length.[1] Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton".[2] Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works.
His works, the symphonies in particular, had d
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What you should know about Anton Bruckner
Explore the music, life and legacy of Austrian composer Anton Bruckner, whose symphonies came to be dubbed ‘cathedrals of sound’.
Anton Bruckner
Born: 1824, Ansfelden, Austria
Died: 1896, Vienna, Austria
Contemporaries: Richard Wagner, Hans Richter, Johannes Brahms, Gustav Mahler
Best known for: Symphonies Nos 4, 7, 8 and 9; Te Deum
Who was Bruckner?
The Austrian composer, organist and teacher Anton Bruckner was a late bloomer who composed all his major works after the age of 39. Born in Ansfelden, he studied violin and organ from a young age with his father, the village schoolmaster. After his father’s death in 1837, he became a chorister at the monastery-school of St Florian. His family’s poverty made a musical career impossible; instead, he trained as a school teacher. Following positions in Windhaag and Kronstorf, he returned to St Florian, where he taught from 1845 and was organist from 1848.
In 1855 he became organist at Linz Cathedral, and embarked on a five-year course in harmony and counterpoint with the Viennese pedagogue Simon Sechter. Later, he studied orchestration with Otto Kitzler, who in 1863 introduced him to Wagner’s music. This proved an enormous creative inspiration and l