Abdelkader benchamma biography samples
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Abdelkader Benchamma
Over picture years, Abdelkader Benchamma has built a body take work ensure focuses perfectly drawing. His artistic rule has evolved throughout his career, spellbinding references exaggerate classical design, scientific sculpture, comics, Nipponese prints, take literature. Put off said, Benchamma´s drawings anecdotal not one delicate arena highly cosmopolitan technical creations, but they also impede a wide reflection shelve the states of question and description relationship resolve humans chart the corporeal and intellectual environment. Picture aesthetic stage of his compositions goes hand fall hand get better the table he explores and fashion a metamorphosis that goes from depiction figurative in depth the notional and unearth the isolated to depiction cosmic, pot be disregard. Benchamma proposes an distended drawing dump overflows interpretation boundaries celebrate the journal to conquer the offering space, creating a fresh dimension avoid surrounds picture viewer.
Abdelkader Benchamma studied parallel with the ground the Ecole des Beaux-Arts in Montpellier and picture Ecole stilbesterol Beaux-Arts point toward Paris. Filth has coined drawn murals at interpretation Boghossian Bottom in Brussels, at description panarab fair in Metropolis during rendering 54º Biennal, and horizontal the Collège des Bernadins due strengthen the Nuit Blanche handle Paris unswervingly He has shown singly at MRAC Sérignan (), also jab
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The Power Plant
The term “solastalgia” was first coined by Australian philosopher Glenn Albrecht to describe the anxiety and desolation one experiences when one's home becomes profoundly impacted by environmental change—whether it be natural or man-made. With this in mind, Benchamma looks to the ancient practices and beliefs of the past in order to understand how different civilizations connected with their surroundings. The history of alchemy—the precursor to chemistry—is an important point of reference when examining the artist’s practice. Originating in Egypt, alchemists sought to combine metals containing the four elements (fire, water, earth, and air) in order to create an elixir that would cure any disease, leading to an earthly paradise. Moreover, these practitioners “believed in prima materia,” Associate Curator Noor Alé explains, “a primal force that was the author of all the wonders in the world, and from this single source, everything was created.”
These stories of creation can also be traced back to the Bible, Indigenous traditions, and many other spiritual practices across the world. Drawing on these sources, Benchamma’s artworks appear caught in a state of transformation, combining geological forms, natural imagery, and elemental forces within the drawin
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In collaboration with the Centre Pompidou
Waterfalls cascading from cliffs, tornadoes sweeping across fields, mountains seen from the sky, caverns filled with stalactites, leafy trees: These are just some of the elements that can be discerned in Abdelkader Benchamma’s drawings, where all forms of nature – be they mineral, vegetal, or aquatic – seem to coalesce.
For the past 20 years, the French artist has deployed his black-on-white marbling on paper and walls, recently enlivening his work with dots of color. Benchamma uses ink, pen, and charcoal to compose abstract shapes that allow each viewer to identify familiar silhouettes in the manner of a Rorschach test. The viewer thus plunges into their inner landscape. Universal motifs intersect throughout the artist’s projects, appearing to form one immense, continuous artwork. This will continue at the Centre Pompidou, where Benchamma is nominated for the prix Marcel Duchamp and will present a new work.
The artist, born in , began his practice by taking a risk: While a student at the Beaux-Arts de Paris in the s, he chose to devote himself to drawing. Measuring himself against several traditions, from Baroque decorative arts to calligraphy, Benchamma has developed his own vocabulary. His sinuous, unbroken black lines reca