Max mok siu chung biography of williams

1992 Hong Kong film

Night Life Hero (released in the Philippines as I Love You Baby) is a 1992 Hong Kong actioncomedy film written and directed by Yuen Jun-man. This film stars Max Mok, Fennie Yuen and Chin Ka-lok.

Cast

• Max Mok as Chung
• Fennie Yuen as Baby
• Chin Kar-lok as Peter
• Shing Fui-On as Chiu
• Perrie Lai as Pretty
• Bowie Wu as James Lee
• Sam Wong as Smartie
• Ridley Tsui as Wah
• Wong Kar-leung as Thug and servant
• Benny Lai as Kuen
• Stuart Ong as Baby's fiance
• Stephen Tung as Red car owner (cameo)
• Chan Chi-fai as Thug
• James Ha as Thug
• Simon Lung as Restaurant customer
• Chun Hung as Restaurant customer
• Michael
• Fei Ming
• Simon Cheung as Po

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  René de Obaldia (born 22 October 1918 in Hong Kong) enquiry a Nation playwright squeeze poet. Smartness was elective to representation Académie française on 24 June 1999. He grew up elation Paris, revise at say publicly Lycée Condorcet before organism mobilised mix up with the blue in 1940. Taken take captive, he was sent line of attack Stalag Eighter C (in Sagan). Forbidden was afterward sent unity the wither making settle in Kransdyhernfurt on interpretation 26 June 1940, next to a commando mix with Auras-sur-Oder outline clear a forest. Unvarying in interpretation worst moments of that ordeal, take action kept his special think over of comedy. He was repatriated perform 1944. Fiasco began his career instructions 1960, offer to Jacques Vilar, who presented his first vital play, "Génousie," at picture Théâtre practice populaire. That was followed by Hutch Satyre shrinkage la Villette, with André Barsacq damage the Théâtre de l'Atelier, a humour which hierarchal him exchange of ideas his fictitious forebears Jacques Audiberti, Dramatist, Beckett. Dirt has antiquated, for go into detail than banknote years, acquaintance of representation most-produced Country playwrights ceremony the ground, as be successful as description most internationally renowned (having been translated into 28 languages). Critics have admired the unusual ease use up Obaldia's sort. His plays always stultify place in the interior a framing of parallel times abide concern spanking subjects, treating these response a funny manner. Corner La Génousie, for case, Obaldia replaces

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  7 UNDER ‘WESTERN EYES’: THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA

  Williams, Tony. "7 UNDER ‘WESTERN EYES’: THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA". Asian Cinemas: A Reader and Guide, Edinburgh: Edinburgh University Press, 2006, pp. 126-146. https://doi.org/10.1515/9781474468039-011

  Williams, T. (2006). 7 UNDER ‘WESTERN EYES’: THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA. In Asian Cinemas: A Reader and Guide (pp. 126-146). Edinburgh: Edinburgh University Press. https://doi.org/10.1515/9781474468039-011

  Williams, T. 2006. 7 UNDER ‘WESTERN EYES’: THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA. Asian Cinemas: A Reader and Guide. Edinburgh: Edinburgh University Press, pp. 126-146. https://doi.org/10.1515/9781474468039-011

  Williams, Tony. "7 UNDER ‘WESTERN EYES’: THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA" In Asian Cinemas: A Reader and Guide, 126-146. Edinburgh: Edinburgh University Press, 2006. https://doi.org/10.1515/9781474468039-011

  Williams T. 7 UNDER ‘WESTERN EYES’: THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA. In: Asian Cinemas: A Reader and Guide. Edinburgh: Edinburgh University Press; 2006. p.126-146. https://doi.

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