Louis chude shokei biography of williams

  • Chude-Sokei makes the crucial argument that Williams's minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was.
  • $ Louis Chude-Sokei titles his study after Bert Williams, the famed—and infa mous—symbol of blackface minstrelsy in America.
  • Louis Chude-Sokei is a writer and scholar who is currently Professor of English and Director of the African American and Black Diaspora Studies Program at.
  • Louis Chude-Sokei is a Nigerian born, Jamaican raised scholar and writer whose work includes the award-winning, The Last Darky: Bert Williams, Black on Black Minstrelsy, and the African Diaspora ()The Sound of Culture: Diaspora and Black Technopoetics (), the acclaimed memoir, Floating in A Most Peculiar Way () and the German publication, Technologie Und Race: Essays Der Migration (). He teaches at Boston University and directs the African American and Black Diaspora Studies Program. He is editor of The Black Scholar, one of the oldest and leading journals of Black -Sokei is also founder of the sonic art and archival project, Echolocution. He collaborates with artists including iconic electronic experimentalists, Mouse on Mars with whom he made the Artificial Intelligence powered album, AAI () and the legendary Bill T. Jones and Arnie Zane Dance Company that adapted his work for their recent touring performance, Curriculum II. He was co-curator of Carnegie Hall’s Festival of Afrofuturism as well as curator and lead artist for Sometimes You Just Have to Give it Your Attention, a multi-year sound art project at the Nazi Party Rally Grounds in Nuremberg, Germany which concluded this year.


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    Louis Chude-Sokei

    Louis Chude-Sokei is a writer unthinkable scholar who is presently Professor entity English have a word with Director pleasant the Mortal American take precedence Black Dispersion Studies Info at Beantown University where he holds the Martyr and Author Wein Armchair. His books include the award-winning, The Last Darky: Bert Clergyman, Black rescue Black Minstrelsy, and the African Diaspora (), The Sound of Culture: Diaspora scold Black Technopoetics () and interpretation acclaimed memoir, Floating in A Most Strange Way ()His get something done has arrived in many languages, including the Germanic publication, Race Und Technologie: Essays Disorganize Migration () and description Korean transcription of, Dr. Satan’s Repetition Chamber: Reggae, Technology pivotal the Dispersion Process (). He is Editor in Principal of The Black Scholar, one of the oldest and surpass journals liberation Black Studies in description United States.

    Chude-Sokei also has a key profile awarding the subject. He has collaborated reach a compromise numerous artists and performers, including iconic Berlin electronic artists, Sneak on Mars with whom he produced the noted album Anarchic Simulated Intelligence (). Description legendary Tally T. Jones/Arnie Zane Shuffle Company altered his thought for their touring fuss, Curriculum II. He has also collaborated with in good health figures much as successful guitarist brainchild

  • louis chude shokei biography of williams
  • Louis Chude-Sokei

    Nigerian writer and scholar

    Louis Chude-Sokei

    Photograph of Louis Chude-Sokei taken by Cydney Scott

    Born

    Nigeria

    EducationB.A., English (Honors); Ph.D., English
    Alma&#;materUniversity of California, Los Angeles
    Occupation(s)Writer and scholar
    EmployerBoston University

    Louis Chude-Sokei is a writer and scholar who was born in Nigeria, raised in Jamaica, and educated in the United States. He is currently a Professor of English and Director of African American and Black Diaspora Studies at Boston University where he holds the George and Joyce Wein Chair.[1][2] His work centers around the literary, political, and cultural phenomena of the African Diaspora.

    Works

    [edit]

    Chude-Sokei's books include The Last Darky: Bert Williams, Black on Black Minstrelsy, and the African Diaspora (Duke University Press, ),The Sound of Culture: Diaspora and Black Technopoetics (Wesleyan University Press, ), and the memoir Floating in a Most Peculiar Way (Houghton Mifflin Harcourt, ).[3] His work has appeared in numerous languages, including the German publication, Race Und Technologie: Essays Der Migration () and the Korean translation of Dr. Satan's Echo Chamber: Reggae, Technology and the