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The Wizard of Oz
1939 film based on the book by L. Frank Baum
This article is about the 1939 film. For the book, see The Wonderful Wizard of Oz. For other uses, see The Wizard of Oz (disambiguation).
The Wizard of Oz is a 1939 American musicalfantasy film produced by Metro-Goldwyn-Mayer (MGM). Based on the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum, it was primarily directed by Victor Fleming, who left production to take over the troubled Gone with the Wind. It stars Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, and Margaret Hamilton. Noel Langley, Florence Ryerson, and Edgar Allan Woolf received credit for the screenplay, while others made uncredited contributions. The music was composed by Harold Arlen and adapted by Herbert Stothart, with lyrics by Edgar "Yip" Harburg.
The Wizard of Oz is celebrated for its use of Technicolor, fantasy storytelling, musical score, and memorable characters.[5] It was a critical success and was nominated for five Academy Awards, including Best Picture, winning Best Original Song for "Over the Rainbow" and Best Original Score for Stothart; an Academy Juvenile Award was presented to Judy Garland.[6] It was on a preliminary list of submissions from the studios for a
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L. Frank Baum
American author (1856–1919)
Lyman Frank Baum (;[1] May 15, 1856 – May 6, 1919) was an American author best known for his children's fantasy books, particularly The Wonderful Wizard of Oz, part of a series. In addition to the 14 Oz books, Baum penned 41 other novels (not including four lost, unpublished novels), 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and screen; the 1939 adaptation of the first Oz book became a landmark of 20th-century cinema.
Born and raised in Chittenango, New York, Baum moved west after an unsuccessful stint as a theater producer and playwright. He and his wife opened a store in South Dakota and he edited and published a newspaper. They then moved to Chicago, where he worked as a newspaper reporter and published children's literature, coming out with the first Oz book in 1900. While continuing his writing, among his final projects he sought to establish a film studio focused on children's films in Los Angeles, California.
His works anticipated such later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in t