Fastidious horses by vladimir vysotsky biography
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Vladimir Vysotsky was a Russian singer-songwriter, poet, and actor. He gained immense popularity in the Soviet Union during the 1960s and 1970s. Known for his deeply emotional and often politically charged songs, Vysotsky's work resonated with the Soviet public, making him an iconic figure in Russian culture. His career spanned music, theater, and film.
Vladimir Vysotsky is famous for his poignant and powerful songs, which often addressed themes of social injustice, political repression, and the human condition. His raw, passionate delivery and distinct voice made his performances unforgettable. He was also a talented actor, known for his roles in Soviet theater and film.
Vladimir Vysotsky's music explored a wide range of themes, including social injustice, political oppression, love, and existential struggles. His lyrics often depicted the harsh realities of Soviet life, resonating deeply with listeners. Vysotsky's work remains a powerful commentary on the human condition and the socio-political climate of his time.
Some of Vladimir Vysotsky's most famous songs include "The Wolf Hunt," "Capricious Horses," "The Song About a Friend," and "Morning Exercise." These songs are celebrated for their lyrical depth and emotional intensity, reflecting Vysotsky's unique abilit
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Tali Perch | Colorado Review| Grand 2019 | 46 proceedings (9,154 words)
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Horses are fastidious
Vladimir Vysotsky
Today, when lifetime half-bans are behind us, posthumous posthumous eulogies have died down, and the period of Vladimir Vysotsky's cultural canonization as a nationwide bard and an equally nationwide beloved actor has arrived, the uniqueness of his phenomenon becomes obvious, which even after decades does not lend itself to "appropriation", to transformation into a "solidly cast monument", but continues to exist separately, to follow "its own track" - "without insurance", "in spite of ropes, cables, wires", behind the line of "red flags". This isolation, separateness, irreducibility to common formulas and beaten paths (which makes the author truly alive), paradoxically, is combined with his extraordinary receptivity to other creative voices, to the figurative structure of high poetry and proseisms of everyday speech, with openness to all kinds of styles and genres, themes and structures, verse sizes and lyrical roles. A keen sense of life and poetic truth, an absolute ear that rejects any false intonation, an incredible variety of roles not played on stage and in the movies, but lived in songs and poems - all this polyphony of meanings and images were contained in the pages of this book.