Edeltraud eckert biography template
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AGF - Heidemarie Härtl, 1943 − 1993, Auszug Aus: Die Strasse, 1986.aif 01:48
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New Release From Benedict Schlepper-Connolly ‘One Thing I Know’
One Thing I Know by Benedict Schlepper-Connolly was commissioned by the percussion-viola duo of Alex Petcu and Nathan Sherman in 2021, with funds provided by The Arts Council / An Chomhairle Ealaíon. Combining floating viola pads over an intricate gamelan groove, the piece gently fuses ambiguous harmony with the propulsion of Berlin electronica.
The seed for the piece, says Schlepper-Connolly, was “the simple enjoyment of the low C# on the viola’s C string, a note with a characteristic all of its own.” He continues: “The work developed from here, continuing a childlike appreciation of individual sounds, adding in a custom assembly of percussion instruments, some of which were built by percussionist Alex Petcu himself.”
The title comes from the poem “Eines weiß ich” by Edeltraud Eckert, who was arrested for her opposition to the East German government in 1950, and who died in prison at the age of 24 in 1954. Schlepper-Connolly describes the poem as “absurdly optimistic for a better future.”
One Thing I Know is the second track featured on Totemic, the debut album from Petcu and Sherman, to be released April 28th on Ergodos Record Label. The record is testament to the very special sy
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A page with handwriting in red pen, accompanied by little drawings at the lower side. The playfully intonated text takes a closer look at a phenomenon, at audible low wave vibrations, at deep sounds. The author courageously utilizes the tool of personalization, and as a result the sounds in question are imbued with unseen but familiar features.
Personalization is a poetic instrument utilized in order to induce the reader to think through the subject from new viewpoints, to endear the observation of the behaviour of sounds and intonation itself, and to give the reader a few cheerful minutes (as he writes in another Deck-diary on artistic work, “exhilaration is an outcome, the result of the work performed”).
According to Prince January, artistic work is not a critical exercise, but an endeavour to endear us to different aspects of life by drawing attention to beauty and merit, which is informing and entertaining for its audience.
This cheerful textual meditation drafts the situation of deep sounds with many (altogether twenty) impersonated collocations, addresses the origin of sounds, and briefly touche