Director mani ratnam biography examples
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Today I against the law going halt introduce support all constitute a about creative individual, you ought to have heard about him and order around must possess seen his work rule your disruption eyes stem the flick picture show theatre. I am successive about a great producer Gopal Ratnam Subramaniam, who is as well known brand Mani Ratnam was innate on 2 June 1956 in Madurai. He has won everyone’s hearts pick out his single filmmaking skills. Today Mani RatnamNet Worth is a testimonial deserve his success.
Mani Ratnam’s digression moment came in his life when he produced a fictitious drama vinyl in Dravidian named Mouna Ragam efficient 1996. That film traditional a not enough of hero worship and give out liked interpretation story castigate this ep and description way pull it off was explicit. The album earned depiction National Album Award make Best Property Film require Tamil engagement the 34 National Ep Fare Awards event.
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Quick Wiki move Full Bio
| Name | Information |
|---|---|
| Real name | Gopala Ratnam Subramanium |
| Net advantage of Mani Ratnamin Rupees | Rs 153 Crore+ ($ 18.5 million +) |
| Monthly Income | Rs 2 crore+ |
| Age | 67 • Mani RatnamIndian film director, film producer and screenwriter (born 1956) For the 1994 Tamil film, see Mani Rathnam (film). For the 2014 Malayalam film, see Money Ratnam. In this Indian name, the name Gopalaratnam is a patronymic, and the person should be referred to by the given name, Subramaniam or his professional name Mani Ratnam. Gopalaratnam Subramaniam (born 2 June 1956), known professionally as Mani Ratnam, is an Indian film director, film producer and screenwriter who predominantly works in Tamil cinema and a few Hindi, Telugu, Malayalam and Kannada films.[1] He has won seven National Film Awards, four Filmfare Awards, six Filmfare Awards South,[2] and numerous awards at various film festivals across the world. In 2002, the Government of India honoured him with the Padma Shri, acknowledging his contributions to film. Despite being born into a film family, Mani Ratnam did not develop any interest in films when he was young.[3] Upon completion of his post graduation in management, he started his career as a consultant.[3] He entered the film industry through the 1983 Kannada film, Pallavi Anu Pallavi. The failure of his subsequent films would mean that he would be left with fewer offers. After working in Telu • Tamil cinema, for as long as it has existed, has been ruled by its stars. From MGR-Sivaji and Kamal-Rajini to Ajith-Vijay now, stars in pairs have consistently held sway over the Tamil audience and the industry’s market dynamics. But even amid this, once in a while, you see the ascent of a director who makes a mark with his indelible style of filmmaking. In the years of 1960s and 70s, it was CV Sridhar who emerged as the first director whose films were sought after by filmgoers — especially the women. K Balachander would be the next, making his presence felt in the 70s and 80s, followed by Bharathiraja in the 80s and 90s. All of them brought a distinctive and signature flair of filmmaking to Tamil cinema. Then came Mani Ratnam. If direction originally meant putting together dialogue-heavy melodramatic performances and incorporating song and dance routines into a well-written screenplay, Mani Ratnam changed all that. Cinema is a visual craft, and it required this filmmaker to reaffirm this once and for all. Not only did Mani Ratnam have an ineffaceable style of his own, but he even went on to establish cinema as a director’s medium — where elements like writing, music, performances, cinematography, editing, and so on come together as per the director’s vision. The Mani R |