Could it be magic barry manilow wikipedia
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So say publicly pop superstar’s hits aim “Copacabana” presentday “Could Armed Be Collection
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Barry Manilow
American singer and songwriter (born 1943)
For other uses, see Barry Manilow (disambiguation).
"Manilow" redirects here. For the 1985 album, see Manilow (album).
Barry Manilow | |
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Manilow in 2019 | |
| Birth name | Barry Alan Pincus |
| Born | (1943-06-17) June 17, 1943 (age 81) New York City, U.S. |
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| Years active | 1964–present |
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| Website | barrymanilow.com |
Musical artist
Barry Manilow (MAN-il-oh; born Barry Alan Pincus on June 17, 1943) is an American singer and songwriter with a career that spans six decades. His hit recordings include "Could It Be Magic", "Looks Like We Made It", "Mandy", "I Write the Songs", "Can't Smile Without You", "Weekend in New England", and "Copacabana (At the Copa)".
Manilow has recorded and released 51 Top 40 singles on the Adult Contemporary Chart, including 13 that hit number one, 28 that appeared within the top ten, and 36 that reached the top twenty. Manilow has released 13 platinum and six multi-platinum albums.[2] Although not a favorite arti
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"Could It Be Magic" is a song with lyrics written by Adrienne Anderson and music composed by Barry Manilow, based on chord and melodical progressions of Frédéric Chopin's Prelude in C Minor, Opus 28, Number 20. Initially released in 1971, it was later rerecorded, given an album release in 1973 and a single release in 1975. This became one of Manilow's first hits. The song has been covered by a number of other artists over the years, most successfully by Donna Summer in 1976 and by Take That in 1992.
Barry Manilow version[]
As Manilow had only composed or arranged commercial jingles up to that point, he was unproven as a pop-song arranger, and thus, he was not permitted to arrange the original backing track himself upon its first release in 1971.[1] Instead, this early version of the song was produced under the hand of Tony Orlando and recorded by Featherbed, a "ghost" group consisting of session musicians.
Originally released on the Bell Records label, the composer hated the Tony Orlando arrangement so severely (see Sweet Life) that, as Manilow has said in numerous subsequent interviews, he was appreciative of the fact that the song went nowhere on the charts. However, he has been quoted in recent years as ha